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PW Productions in association with Park Theatre present the World Premiere of
Another Mother
Charlotte Peters’ directing credits include How Love Is Spelt at Southwark Playhouse for her company, Brickdust, Normality at The Other Palace, Caste at Finborough Theatre, The Mouth of a Shark at VAULT Festival, Timeless at Theatre N16, Birdsong on UK 2018 tour, EdFringe: The Musical Revue at Edinburgh Festival Fringe, By My Strength for The Women and War Festival, Sunday at the Musicals at St Paul’s Church, Phoenix Artist Club and Leicester Haymarket), Fame for Tallink, Scandinavia, How to Make Money From Art for Camden Fringe, as well as work at the Soho, Arcola, Park and the Old Red Lion.
Charlotte’s Associate Directing credits include War Horse at the National Theatre, UK and International tour, An Inspector Calls in the West End, UK tour, USA tour, Only The Brave at Wales Millennium Centre, I’m Not Here Right Now for Soho Theatre, The Private Ear/The Public Eye on UK Tour and The Importance of Being Earnest, The Musical at Theatre Royal Windsor.
PW Productions is one of the West End’s most prolific and significant theatre producers, responsible for some of the most successful theatre productions in British theatre over the past 30 years. The company has also acted asgeneral manager and production accountant for more than 500 productions in London, the UK, and internationally.
Current productions include An Inspector Calls on UK tour and The Woman in Black in the West End, UK tour and The McKittrick Hotel, New York, as well as general managing The Last Ship on US tour, written by and starring Sting, The Jungle at St Ann’s Warehouse, New York and Dirty Dancing in Germany, France and on UK tour.
Notable credits include the multi-award-winning J.B. Priestley’s An Inspector Calls, directed by Stephen Daldry, in the West End at the Novello, Wyndham’s, and The Playhouse Theatres, and on tour in the UK and internationally, and Stephen Mallatratt’s The Woman in Black, which plays at the Fortune Theatre in the West End and tours the UK and the world. With the National Theatre: the British premiere of Arthur Miller’s Broken Glass, The Wind in the Willows, and Oh What a Lovely War! With Matthew Bourne: Nutcracker! and Play Without Words on UK tour, Tokyo, Moscow, US tour. With the Roundhouse: Michael Clark, Stomp, and the spectacular De La Guarda. With the RSC: Krapp’s Last Tape starring Edward Petherbridge and Peter Shaffer’s Amadeus starring David Suchet and Michael Sheen at the Old Vic/Broadway, and Lenny starring Eddie Izzard at the Queen’s Theatre, both directed by Sir Peter Hall. With Mobil Touring Theatre: The Philanthropist (1986), Rosencrantz and Guildenstern Are Dead (1987), Habeas Corpus (1988), Charley’s Aunt (1992), The Crucifer of Blood (1993), Absurd Person Singular (1994), Noises Off (1995), Dial M for Murder (1996), Forty Years On (1997), Tartuffe (1998), Sleuth (1999), Les Liaisons Dangereuses (2000), Deathtrap (2001), and The Sunshine Boys (2001).
Independently PW has produced: Edmund Kean with Ben Kingsley, Rowan Atkinson at the Atkinson on Broadway, Julian Glover’s Beowulf in New York and the UK, Ben Kingsley and Geraldine James in A Betrothal, Miriam Margoyles in Dickens’ Women, Alan Howard in Kings, Dylan Thomas: Return Journey, directed by Anthony Hopkins and co-produced with Eric Clapton, Edward Fox and Stephanie Beacham in The Father, Bob Hoskins in Old Wicked Songs, The Madness of George Dubya and Bombshells at the Arts Theatre, Joe Orton’s What the Butler Saw at the Criterion Theatre, Honour with Diana Rigg at the Wyndham’s Theatre, Andrew Lloyd Webber’s Aspects of Love with David Essex, Sign of the Times, Peter Pan in Kensington Gardens and at the O2, The Railway Children at Waterloo Station, and Broken Glass with Sir Antony Sher and Tara Fitzgerald at the Vaudeville Theatre.